It is as far as the 28.3.2009. For the first time, the gallery for jewelry design presents itself at the beginning was the idea of a joint project “Jewels now!” with a common exhibition. An artistic collaboration with different means of expression: you two so different arts combine jewelry and lyrical texts how can? Lisbeth Schildknecht and Vesna Lao has managed this. The two combines a close friendship for many years, now they have dared to approaching artistically. Not easy, because there are 7483 km from one to the other. The common theme from the inside and from the outside, poetic space, narrative spaces”has been edited separately by two. Each with own thoughts, completely independently of each other. And then met on the texts the texts on jewelry and the jewelry.

So tell some stories suitable for decoration, unite and are different yet. And adapts some piece of jewelry to the text. There are connections and separating, at some points, the merge Arts to a unit. Then again, they are self-contained and it connects them to nothing but the common theme. The approaches are not only artistically different worked, but also in terms of content vary. The biographies do their part. So many trips, are reflected in the work of Vesna Lubina the restless and that be always on the move again.

The outside. By Lisbeth Schildknecht are characterized by observation, by looking for the inside. Outdoor and indoor meet and need. Without the outside there is no interior and vice versa. The combination of poetry and jewelry is joined to an interesting and unusual symbiosis. “The Vernissage will be held on the sat 28.3.2009 at 15: 00 instead of duration of exhibition: until 25.4.2009 in the rooms of the JEWELS NOW!” Info under: Studio and gallery for jewelry design “jewels now!” Dipl.Designerin Lisbeth Schildknecht of str. Luxembourg, 224 50937 Cologne Sulz.

Wochenendausstellung ‘ time witness nature ‘ in Donauworth, one makes their works made of wood, stone and Stahl international of talk. The other boasts large screen images as well as with small, fine painted diary entries, his images of the day. Together to find Tanja Roder and Gerhard Marquard now when the Wochenendausstellung are time witnesses”in the final arsenal. At the opening on Friday, the 16th of March at 19:00 and on exhibition days Saturday and Sunday, are 17th and 18th March, each from 10:00 until 18:00 shows: Two very different artists can be quite some connect. “The theme of man and the intense closeness to nature both have together some exhibits look as if they had created together”, gallery owner Daniela Portner, who has designed the exhibition reveals.

Portner Gallery art universe since 2009 in book village resident is known for exhibitions with flair, such as in the Botanical Garden of Augsburg or in the rectory of Gempfing. The exhibition in the Zeughaus is the double premiere: is type universe in Donauworth to guest for the first time and for the first time the two award-winning artist Marquard and Roder exhibit side by side. Gerhard Marquard, residing in Landsberg am Lech, outlined much outdoor, get inspiration from nature for his work and most recently made headlines with its images of the day. Since 2011 Marquard holds daily contemporary, seen and felt in an image, 1000 uniques are to be built in 1000 days. Tanja Roder nature is for artistic model, material donor and art room at the same time; some of her sculptures grace public plazas. The sculptor, whose Figuren are often life-sized, always but emotion – and peppy, a standing open to the visitors gallery sculpture garden in their adopted land of Pfaffenhofen has since 2008.

Find art gallery Hartmann of the wooden statue of the mask with a ritual background to hand-crafted sculptures and figures, these pearls of Indonesian and African tribal art at the art gallery of Hartmann. Handmade unique spiritual symbolic are an expression of the history and culture of this people! The spirits and ancestors live thousands of Islands, inhabited by millions of humans and spirits. Unfathomable and deep as the jungle the animistic nature worship in Indonesian art finds its expression. And although about 88 percent of the population are Muslims and the rest Christians, Hindus and Buddhists, the spirit and the religion of the ancients shape until today the daily life in Indonesia. Tribal art tradition in the arts and crafts many peoples, many roots. The animistic tradition of tribal art lives on in the modern Indonesia and the contemporary artists are no exception.

In her sculptures, masks and figures, they honor the ancestors, the spirits and gods. The West and the Indonesian art caution! In the nineties The Western flavor has discovered the Indonesian tribal art and the vitality inherent in the sculptures and masks for years of the last century. Since then, collectors and art lovers succumb the archaic charm and fascination of Indonesian art from all over the world. Unfortunately that has lured also forgers from the building and only renowned dealers provide security at the time of purchase. Robert Hartmann art gallery Hartmann

The Gallery of Jules Julian would be glad to show the exhibition ‘When light changes’ by Daniela Finke in their rooms. The title of the exhibition refers to the series of ‘Waking Night’ and ‘Polo’, Gallery Jules Julian forward, the exhibition when light changes “by Daniela Finke of the 20.11.2010-05.02.2011 in their rooms to show. “” The title of the exhibition refers to the series waking night “and Polo”, its connecting element is the use of a special, almost monochromatic light situation. A selection is now Copenhagen. In Hannover / DE-born photographer, winner of the European architectural photography Prize in 2005, has found the ideal form of expression in the connection of digital scenography and photography for their artistic vision. Contact information is here: Heat Exchanger Equipment. Faraz photographs reminiscent of an Edward Hopper the melancholy aesthetic, if people act like statues in a supercooled atmosphere.

Also, she transferred to abstract patterns, which can be seen in the soft contours and intensified coloring concrete situations. As a result of the artistic finishing run their photos in the vicinity of the painting. Finke documented moments that make this as a complex and puzzling structure perspective bar in the continuous observation of the reality of life. When light changes “refers to a changing perception, generated by a particular lighting situation, and induces a complex contextualisation in the image. Dark, almost black night scenes of illuminated cities such as Miami, New York or London are white, glistening scenes of Polo. Imploding dynamics of town life versus the explosive dynamics of the race. Daniela Finke implies incomparable to the fore.

The gallery displays sculptures, sculptures, paintings, the Gallery Depelmann graphics and drawings in her garden in Langenhagen crows angle sculptures and statues by eleven artists during the summer. These are represented mainly by the gallery for several years and offer insight into their current work with the exhibited works. It focuses on new works in particular by Wolfgang Binding, Peter Hermann, Karlheinz Oswald, Barbara Szuts and Tamara Suhr. A total of about 50 works of art are in the beautiful ambience of the Gallery Garden. Including the expressive animal depictions in bronze by Wolfgang Binding with their naturalistic appearance, irregular surfaces, or the bronze works of Roland Martin. The Tuttlingen artist has chosen his subject people. Small figures with elongated bodies and limbs are his trademark”.

Playful, sometimes sprung like a fairy tale figures of Tamara Suhr effect, while Peter Hammond wooden figurines with their rigid skyward Eyes despite superficially similar motif choice almost as huge play mobile figures seem static and more. Also Karlheinz Oswald (Locarno), which is one of the most famous and sought after artists of the Gallery, shows new works. The motif of the dance-like movement, captured in the moment of apparent weightlessness, is with him at the Center. Following artists show their works next: Jorg Bach (Muhlheim a. d. Donau); Rigo Engler, Hannover; Hannes Helmke, Cologne; Hans-Joachim Muller, Bremen; Barbara Saravanan, Vienna and Hans Thomann, St. Gallen (CH). About the presentation of the works in the garden, small sculptures by Wolfgang Binding, will be in the House to see Roland Martin and Tamara Suhr and painting another artist of the gallery. Kathrin Symens y

G11 Gallery Berlin invites to the opening weekend at the Gallery weekend on April 30, 2010, a new Gallery opened in Berlin Friedrichshain. Three artists, John Power (installations and objects) from Ireland, Lexander Prokogh (painting) from Russia and Hendrik Voerkel (painting) from Germany bespielen.ie the 3rd floor of the 1990 set-aside Patzenhofer Brewery (PHB) at Landsberger Allee as G11 with international contemporary art and art-Middle events will Gallery operator of G11 Gallery see the new premises as a platform for international artists. The program includes a lively atmosphere with art-Middle events and meetings with international art initiatives. Working together at the cotton mill in Leipzig, where the artist had met also showed many contacts with fellow artists. Now, the producers want to”constructively contribute these international encounters in their exhibitions. No stable smell in the G11 Gallery! To vary the work and ideas of art, Square will find under one roof. For the visitor, the gallery visit also opens a challenging journey through the present European schools and studios. In the opening exhibition machinery of perception “from 30th April to end of May 2010 the own works by the three artists are presented first.

It is the individual work of individual artists in the foreground (details see below, images below). Then displays works of international colleagues. Special gallery opening on Friday, April 30, 2010-03-21 pm Saturday 1st and Sunday, may 2, 2010, 11 am 10 pm I from 8: 00 concerts: Saturdays with quarter Quintet (Jazz) with Jim Whiting from Leipzig and on Sunday with martin john smith (cello) from Australia John Power, Lexander Prokogh and Hendrik Voerkel in the Studio rooms of the Leipziger Baumwollspinnerei in the G(ebaude) 11 2006 met. So different the artistic work and approaches, so unanimous and determined the idea, the different national characteristics influences in exhibitions visible to make. Already during the gallery tour in Leipzig they exhibited together their works as G(ruppe) 11.The idea evolved.

A photo-video installation in the Gallery WHITECONCEPTS by Nicole Loeser as fashion we political systems and how they shape us? How do we with history, which affects us in the present? are questions, raised by the impressive performances of Elmar Hess and which now goes to the exhibition of STILLS in the Gallery WHITECONCEPTS. With the surreal-fiction imagery of his work, the German artist Elmar Hess provides a unique contribution to the development of the cinematic medium in the arts. Through the stage-like installation, as well as the combination of found footage (such as archive footage) and re-enactments (reenactments of concrete historical events), he tries to pick up the classical function of the film. Important historical events such as about the cold war and his actors join to today’s everyday experience world to a personal reference system. Hess aims at uncovering media mediated intellectual systems and the resulting social behaviors in this way. The exhibition of STILLS in the Gallery WHITECONCEPTS provides insight into Hess’ brilliant work and shows film stills and videos and films his installations “Freedom is not for free”, “Relation Ship”, “cis”, “War years” and “Cold War”. The artistic work of Elmar Hess includes film and video work as well as multimedia installations that comprise the staging of thematically into deeper areas.

The installations enter a chapter structure that is similar to the dramatic end of a movie. The individual rooms topics sub, which result from the combination of the rooms a parent statement. The relationship dramas often staged in the work are proving to be the result of systemic constraints of the train. You draw a panel of social landscape in an entseelten world, where subjective events in Hess’ work is often equated a fantasy cascade of historical events. People are pushed into spiritual masked of serious-themed comment votes, appear embedded in a mechanized expiring everyday life or are players in a metaphorical Events of war that rages in the vacuum between social, historical and physical relationships.

Elmar Hess (born 1966) lives and works in Berlin and Hamburg. “” “He was represented in the exhibitions you son in 1969 by the horror of the situation” (Hamburger Kunsthalle / Villa Merkel, Esslingen), as well as German open “(Kunstmuseum Wolfsburg), surfing system” (Kunstverein Kassel), lost paradise “(KunstRaum Wien Museumsquartier) and many others. He was a fellow of the Villa Massimo in Rome and the German Art Fund. His cinematic work were shown all over Europe the Venice Film Festival in Oberhausen and the documentary film festival in Cannes at the Moscow Film Festival. His most recent exhibition in Berlin, “La mere Perdue”, found in March 2013 in the Saarland Gallery European art Forum”instead. Nicole Solver